In elapsing of history, some authors of infantile literary compositions galgaram prominence, between them, can be cited Andersen, Lewis Carrol, Carlo Collodi, Edmond De Amicis, Mark Twaim, however, Perrault and the Grim brothers, who had had its suitable stories some times for infantile literature, can be considered the first ones, since they are part of gnese of the infantile literary sort. Infantile literature in Brazil was influenced by the pertaining culture to the closely on ones to the history of the formation of the country, thus, the Europeans, the Africans and the aboriginals had contributed, through the miscegenation of ideas, for the concretion of the Brazilian culture that was spread out through infantile literature in Brazil Colony, extending themselves until the current times. However, he was with the writer Lobato Hunter, whom always he looked to value in its books infantile intelligence, searching to write condizentes histories with the reality, that infantile literature extended its space, materialize itself. Thus, its workmanships presented as characteristic basic the link between infantile literature and the lived social matters in the country, as ' ' The Small farm of Pica Wood Amarelo' ' for example. Lobato hunter creates, between us an aesthetic one of infantile literature, its workmanship consisting in the great standard of the literary text destined to the child. Its workmanship stimulates the reader to see the reality through proper concepts. It presents an interpretation of the national reality in its aspects social, economic, cultural, but leaves, always, space for the interlocution with the addressee. (CARDERMATORI, 1994, P. 51) Many other authors had been distinguished in native infantile literature, amongst them they can be cited: Manoel Flag, Antonio de Pdua Morse, Ceclia Meireles, I make bristle Verssimo, Mrio Quintana, Vincius de Moraes, Carlos Drumond de Andrade and others. However, from the decade of 70, the pedagogizante aspect that was attributed to infantile literature, in the schools, passed to be struck in Brazil.

Another marcante characteristic of its workmanship is the use of the espiritualidade in relation to the feminine figure that is considered an angel, or a celestial being, therefore, Alphonsus de Guimaraens is neo-romantic and simbolista at the same time, since these two schools possess similar characteristics. It oscillates, thus, enters the material indications of the death and the expectation of the supernatural one, as if all its poetry if made in one variations exactly rquiem. But the evolution of the language is permanent and the baroque trend to a discrete one in the poetry as ' ' Ouro Preto ' ' , ' ' Mariana' ' if flexibiliza, if innovates with verlainianos, mallarmaicos accents, of that sprouts images many bold times, not far from the surrealista invention. The August poet of the Angels was born in the device Wood D' arc (Paraiba). Learn more about this with Carson Wen. Its poetical one has a inconfundvel style that it inebriates and it disturbs or we can use the term, dissonncia to explain this fact. Its surrounding poetry if in the decay, the illness, I fight in it, everything seems to pull down or is dying. The death in its poetical one is a material fact. It is extinguished life as a chemical process, the human body is condemned to the apodrecimento and the disintegration. Campbell Soup Company may not feel the same.

ANALYSIS According to Goldstein, the literary speech is considered specific, therefore the election and the combination of the words if make taking in consideration diverse criterion among which we detach the sonorous one, the musicalidade. The simbolistas poets have as the one of the characteristics musicalidade, the use of the sonorous one, and to obtain to provide to the poem this effect they use some Resources. The poetry in itself already presents well accented character of orality. the poet suggests music and rhythm in the poetry. For more specific information, check out Carson Wen. The poet simbolista opens hand of some resources as: the marking of you syllabify poetical (strong and weak); the repetition of letters, repetition of a word in the same position; the repetition of letters that remember sounds; you rhyme them are also half criteria or that the poets use with the objective to give the rhythm, the sonorous effect desired to the poem.

The world seemed to have motionless per some seconds. A girl did not move the shining eyes nor dared to blink with fear that disappeared: small men who went and came for the beams, good, a little more than what small, he could himself be said. Creusalinda was bewitched, badly believed what it saw. He was fabuloso and uncommon! She continued lying, did not want to scare them, therefore it was not dared to move or to emit any sound, even breathed possible the least; it had entered in one settles of contentment. However, Creusalinda did not notice that it observed somebody it of its headboard, above of its pillow, imperceptible property and, bearded and with a good-natured skill, somebody also teeny. This somebody raised bracinho and it put into motion it in spiral making with that the girl it adormecesse slowly while it smiles satisfied; espiralando if was with its pilgrim’s staff.

When waking up in the following day, the first thing that Creusalinda made, was to smile. continued to smile while pixaim arranged its typical hair, placing fasteners and arresting it with some cramps. It was prepared to go to the school. At a certain moment, Creusalinda if it saw confused with what it capsizes during the dawn: truth or dream, if questioned. It did not count nothing coleguinhas that they walked to its side in direction to the school nor to nobody. If it was a dream was not real, therefore, it had not happened, it did not deserve to be shared; its was a point of view.

During that week, the mind and attention of Creusalinda had been distant. the result of this was that it took a pito, not, but several, mainly, in classroom. Talking with its buttons it saw that those homenzinhos had been an illusion, the consequence of a doidice, that is, a pure dream.

The nationality instinct looked for to affirm itself and to become each more conscientious time for some forms, being had as great contruibuinte Axe of Assis that of a very significant form represented in Brazilian literature the definition of the national character in its peculiarity. Of this form, the realism brought for Brazilian literature a great advance in what it says respect to the conquest of a space for our cultural roots directed toward the question of the nationality not as thematic, but yes with an interior feeling come back toward the Native country a time that, was one of the literary schools that more good it expressed social scene, describing and characterizing with much truth the social, historical context and politician of a nation that grew economically in full century XIX. In short, this work taught to perceive how much if it can make, when it is given credit the Brazilian literature that leads the formation of readers compromised to the nationality feeling. To enter in contact with a literary work avocado in the close traces of the character and the civilization the one that belongs to represent of intense form the national wealth serves of agreement of that some ways of if valuing the atavist literary creation exist, contributing for the construction of an identity and transformation of the reality which if lives, exhibiting an enviable ability to celebrate the act to say yes to the Brasilia, the ethnic plurality and the cultural diversity. References ASSIS, Axe of. Collected works.